Solution Overview
Cultural centers, mass art centers, and intangible cultural heritage protection centers get event booking, digital galleries, class registration, heritage displays, and public cultural services. National policy is pushing higher-quality public culture, and it asks cultural centers to strengthen digital services and reach more people.
Built on the Internet of Things and digital tools, the solution controls venue systems, puts the full event cycle online, and upgrades how exhibitions are shown. Events move from publishing to booking, check-in, and feedback, so people are not left in a queue and rooms stay within capacity. Digital galleries use VR, AR, interactive screens, and multimedia installations so objects and heritage practices feel present, beyond place and opening hours. The heritage module holds bearer archives, skill displays, and digital preservation. Class registration, course management, and learning records sit in one place, so more residents take part. It fits provincial, city, and county cultural centers, neighborhood cultural centers, and heritage halls, and it supports a modern public cultural service system.
Policy and why it is being built
The 14th Five-Year Plan for Building the Public Cultural Service System calls for digital public culture, and aims to have a modern public cultural service system covering both urban and rural areas largely in place by 2025. The Ministry of Culture and Tourism is building a public cultural cloud and asks cultural centers, libraries, and similar institutions to join the National Public Cultural Cloud so resources can be shared and systems can connect. The 14th Five-Year Plan for the Protection of Intangible Cultural Heritage stresses digital recording and sharing, and supports digital preservation of bearers' skills.
There are more than 3,000 cultural centers at county level and above, and demand for public cultural services is strong. After the epidemic, online booking and capacity limits became routine, and queues plus paper registers no longer meet the need. Digital exhibits, VR, and AR let a cultural center serve people across the country, not only those who can walk in.
How to roll it out
Move in stages. Phase one puts event booking and registration online—publish, book, and check in—so queues and overcrowding ease quickly. Phase two makes the building smarter: lighting, air conditioning, and large screens follow the booking, which saves energy and improves the visit. Phase three builds the digital gallery and the heritage module, with VR, AR, and interactive installations that make the exhibition more compelling. A provincial center can emphasize flagship exhibitions and coordination across the province. City and county centers can emphasize public classes and day-to-day events. A neighborhood cultural station can stay light, with booking and basic services first.
